Ridiculous, but depressingly unsurprising.
Ridiculous, but depressingly unsurprising.
Well, the leopards are eating good again.
Been bouncing between Wizordum and Void Stranger over the last few days. Wizordum is a fun “boomer shooter” that takes a lot of inspiration from games like Hexen and I’ve been enjoying mowing down monsters with fireballs and a magical shotgun. Void Stranger I’m still not sure how I feel about. Heard it mentioned a few times as a very meta game with a lot of layers. In theory I like games like that. Figuring out the core puzzle gameplay of moving blocks around has been fun, even if I don’t consider myself that great at puzzles, but the meta stuff is riding that fine line between being just cryptic enough to be intriguing to being so cryptic that I’m not sure how I’m supposed to figure this out without a guide.
Glad to see the campaign still going strong. Almost being past the minimum threshold requirement for seven countries is impressive. Hopefully it can reach one million signatures, even if I’m a little skeptical about the EU taking this seriously and passing a decent law. Still, anything that keeps the topic on peoples minds is a good thing.
I’ve been working my way through the Baldur’s Gate series after putting about ninety hours in BG3. BG1 was fun even if the story was a bit predictable and generic, although it did feel like playing through a DnD campaign. Really enjoyed Shadows of Amn, but Throne of Bhaal just turned into a slog at the end. I think the most interesting part of playing through the trilogy was watching Bioware’s style develop over the course of the three games. As someone who was introduced to Bioware through Knights of the Old Republic and Jade Empire I’ve always thought Bioware’s character writing stood out, especially in the old days, so it was a bit jarring to play through BG1 where the companions feel more like hirelings you pick up for their class rather than full-fledged characters. BG2 felt more like a classic Bioware game with banter, romance, and companion quests, although the Real Time advancement system kept glitching out on me. I was hoping to move on to Planescape: Torment after TOB, but I’m feeling burnt out on Infinity Engine games. So right now I’m trying to find something in the Summer Sale to serve as a palate cleanser.
I had genuinely forgotten about the sequel until I saw this. Started wondering how I had missed that and then I remembered it was a straight to streaming cash grab. Time to go back to being blissfully ignorant.
Accidents happen. Your finger slips and suddenly your game is full of Nazi symbols. Happens all the time. Also, I get the gist of Garriss’s response, but mentioning that he had men and women at his house and his mother was always present just makes things sound weirder than a simple denial. Sounds like a horrible situation all around.
The thing that gets me about this is that it’s always some nefarious outside group pressuring devs to make their games “woke” or whatever. It never seems to occur to these people that the people making the games might actually hold those beliefs and aren’t being forced to put them in games at gunpoint. Also, did the guy complaining about Ragnarok play GoW 2018? The fact that Kratos isn’t the same person he was in the old series is basically the entire point.
This actually isn’t a terrible use of an LLM. It’s actually kind of refreshing to see a news story about a beneficial use of it in a very specific context.