How does Premiere Pro do?

I’ve never had this problem in English nor Spanish but you made me realize those two words are very similar in Spanish too (reenumerar, remunerar)

We humans just do a bad job explaining evolution to the general public, be it at schools, by science communicators, etc. Most laypeople want to believe in evolution so in the end they just kinda think it works like magic or that it’s guided by some kind of intelligence (whatever that means for them: divinity, we live in a simulation, an invisible natural algorithm that governs everything, the Universe itself as a sleeping deity, etc).

When I was explained evolution as a kid (granted, around the year 2000) they made it seem evolution was an intelligent mechanism that somehow chose the best traits for the survival of a species based on its environment, as if this invisible mechanism had somehow the ability to analyze its environment, reason creatively and predict future scenarios. It was only on my mid 20s when I happened to read an article out of curiosity that I got a bit of a more clear picture. There’s gotta be a better way to explain it to laypeople: maybe that it’s more of a massive, long, non-directed trial-and-error process where there’s not an actual intention or intelligence, it just happens. Individuals with critically bad traits die because of those traits and the ones with better or non-harmful traits live and get to have descendants. But there’s not an intelligence guiding this, it just looks like an intelligence to some of us because we humans tend to apply personification to everything.

1) Hybrid visual novels (ie visual novels with some gameplay element, be it some basic adventure/exploration/mystery mechanics like the Ace Attorney series, RPG or Tactical RPG elements, management, deckbuilding or whatever) that have very good writing (think something like Roadwarden or Citizen Sleeper) and/or a loveable cast of characters (like Ace Attorney).

2) Sci-fi and/or fantasy books that have good writing (by which I mean not that hollow, mass-produced, repetitive, overly simple YA-style prose —don’t want to offend YA lovers, I’m just tired of it). Bonus points if they have some elements of social criticism, and even more bonus points if they have very compelling worldbuilding and characters. I’m thinking of stuff like Ursula K. Le Guin’s The Dispossessed, The Left Hand of Darkness and Rocannon’s World, Susanna Clarke’s Jonathan Strange & Mr Norrell, Ted Chiang’s short story “Story of Your Life”, most of Jorge Luis Borges’ short stories, Angélica Gorodischer’s Kalpa Imperial, Ann Leckie’s Ancillary Justice, Dino Buzzati’s short story “The Seven Messengers”, Ursula Vernon’s webcomic Digger, Winston Rowntree’s webcomic Watching, Italo Calvino’s If on a Winter’s Night a Traveler, etc.

3) Logical puzzle games that have the same quality of atmosphere and setting as Return of the Obra Dinn.

4) Turn-based videogames (they can be RPGs, roguelites, management games, visual novels, text adventures or whatever else as long as it’s not action-focused, based on reflexes or time-sensitive without pause) that have very strong setting, atmosphere and writing (if they don’t have a traditional story, at least good writing in the occasional dialogue lines). Some preferred settings are:

• Decadent worlds (like Darkest Dungeon, Dredge, Fallen London, Sunless Sea, Cultist Simulator, Book of Hours, The Shrouded Isle)

• 18th to 20th century history/alternate history (like The Great Ace Attorney, The Lion’s Song, The Last Door, Amnesia: Rebirth, Return of the Obra Dinn)

• Sci-fi in general —can be cyberpunk but not necessary— (like Citizen Sleeper, Tacoma, Soma, The Talos Principle, The Red Strings Club, Chrono Trigger, 2064: Read Only Memories, Subnautica, Stellaris)

• Very current (as in 2020s or close) focused settings (like Unpacking, Orwell: Keeping an Eye on You, one night hot springs, missed messages., What Remains of Edith Finch)

• Traditional and/or generic fantasy but well written (like Roadwarden, Wildermyth, Final Fantasy Tactics, Legend of Mana, The Banner Saga, Suikoden II, Terranigma, Grandia, Lunar: Silver Star Story Complete, Alundra… many of these I played young so their writing might not be as good as I remember)

• Other historical/alternate history settings previous to 18th century as long as they’re well written (like King of Dragon Pass, Landnama)

But I’m also open to anything I’m not used to in videogames as long as it has those elements (strong writing, setting, atmosphere), like urban fantasy/new weird/fantastic realism type of stuff like Disco Elysium, whimsical settings a la Undertale/Deltarune or ambiguous mindscapes like in Celeste and Gris.

5) Mechanically speaking, something that reaches the same heights as Slay the Spire. I don’t know what it is, I’ve played many other deckbuilding roguelites and/or roguelites with a tree-style map chasing that same high. And some were better than others (I guess shout-out to Monster Train, FTL, Pirates Outlaws, Griftlands, Roguebook, Iris and the Giant, Dicey Dungeons, Star Renegades). But none have absorbed me like it did despite it having uninteresting (to me) writing and visuals. Maybe it was just because it was my first with those ideas.

6) I was exposed to a lot of anime/manga when I was a teen and even if I never feel like I want to watch/read most of them these years, I still have some lingering weakness for some of its tropes and aesthetics when applied to videogames. I’m talking about trainwreck-style games that are awful and strangely compelling at the same time, like Danganronpa and Zero Escape. Or, to speak of one that feels much higher quality while still having some puzzling choices, 13 Sentinels: Aegis Rim. It’s hard to describe this vibe (maybe “anime aesthetics, very ambitious in some ways but messy and still beholden to certain clichés, occasionally managing to be deep but usually just coasting on pseudo-philosophical anime bullshit”) and I really never feel like actually playing these games but once a year or so when there comes a day I just don’t feel like doing anything I don’t mind laying in my bed watching full no-commentary gameplays of these kinds of games. So if you know of something similar to those I’d like to bookmark that for the future.

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Yep, I know antisemitism has a long long story, my great grandparents came to my country running away from it at the start of the last century. And islamophobia is going really strong right now too. But I do think there’s higher chances of things like that happening between the years 2000-2500 than between 1000-2000. If the recent pattern with Christianity also happens to Islam and Judaism, fervent religious feeling might diminish in the long term (even if there’s occasional flare-ups here and there) and that coupled with sheer time/centuries might help ease the tensions.

I didn’t took it to mean “Israel will be erased” but “Israel and Palestina will be fused”. So maybe it won’t be named Israel but Israel-Palestina (kinda like Bosnia-Herzegovina) or something like that. Of course that seems impossible today but who knows, maybe there’s a timeline where that’s the name of the country 500 years into the future.

People here are just gonna tell you to leave (I have done so myself) but if you can’t for whatever reason something that can help is an extension like Blue Blocker which automatically blocks (or you can set it to mute) blue check marks as you encounter them. That way you don’t give them money for their horrible baits. While I was at Twitter waiting until the people I followed shared their new socials (sadly most went to BlueSky instead of Mastodon so I lost them anyway) I used Blue Blocker in that manner. You can set exceptions for certain accounts tho I didn’t, it mercilessly muted all checkmarks from my feed and revealed the bare Twitter behind. The result was somewhat like old Twitter at first but eventually it does get kinda slow as most of the valuable accounts become inactive. On the bright side that made leaving so much easier, so if you want to leave but need a motivator there’s one that might help you.

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They are killing the murder industry

Not proud nor ashamed, and you seem to imply LLMs are needed in all human fields

Huh, I felt the 12/20 was a bit low but I guess not so much. As someone that has never used an image generator (or an LLM for that matter, chatGPT not even once baby) nor has actually worked at tech (though I have been learning programming on my own) and doesn’t even know how to draw… I guess I didn’t do too bad.

I’m playing Stellaris right now and one of the things I miss the most about Sid Meier 's games is it being 100% turn-based vs real time with pause (over long sessions it tires my hand a lot for some reason)

These are all hunches. I’ll add my own: he was initially just posturing about buying it but when he was forced to do it he was motivated by many things (his personal dislike of Twitter’s userbase -which was only partly leftist though it was a very vocal and hip even if sometimes unhinged and somewhat puritanical brand of leftism-, what he perceives happened to his daughter, the Saudi interests, his “I’m not owned! I’m not owned!” personality, etc.). Motivated to do what? Well initially it seems to me he wanted to transform it into more of a right-wing Elon cult (and he somewhat succeeded with the right-wing part). But the mass reaction was a destruction of his reputation. Before this he was usually clowned just by leftists but now it’s by a good chunk of the general public. My hunch is that he has started to like more and more the idea that he is “sabotaging Twitter from the inside” as revenge for the aforementioned reasons or just “for the lulz” (it seems he likes to think he does grave things for the lulz, maybe it’s desperation to fit in or cope). Wether this intentional sabotage is something that crossed his mind from the very start or something he picked up from his fans (“he… he can’t be taking these kinds of decisions, right guys? He’s a genius! He must be doing it all on purpose! He wants to tank Twitter”) it does sound like something that mends his ego a bit and also the only move that could maybe help restore his old PR image of brilliant player, real life Tony Stark.

I don’t agree with “every waking second” of their lives (it’s just paralyzing to live like that, wouldn’t be productive to help solve the current situation) and maybe other details of your wording but I do agree with the general gist. Once you start critically reading history and looking at the present it’s hard not to do that math.

At the very least I would love if I hadn’t to periodically suffer some online European conservative (particularly common seem to be the Spaniard and British ones) gloating about their perceived superiority, wealth, civility, etc. Or parroting their learned Official Histories.

I’m totally with you. But to add to that there’s something that I quite don’t understand why it’s popular both in America and in Latin America (dunno about other regions). Drug dealers, Mafia, violent criminals, narcos, capos, etc in media, be it documentary-style or fiction. Even in shows where they are meant as the bad guy protagonist lots of people tend to idolize them

Which one would you recommend for daily checking the top threads, mostly with a focus on text but with the occasional image/video click? And which one would you recommend for video playing in app?

Yes, I am. Why? Curiosity. You always see this question regarding what do Europeans find unusual about Americans and vice versa. I am curious to know about the opinions of my non-American, non-Europeans fellows. Our perspectives are not so common to find in websites like Lemmy.

Though a few minutes in I’m already seeing the post in the negatives so I’m assuming this one is sadly already dead.

It’s somewhat common for me to read in my dreams but I can barely see the text for a second (it is decipherable though): My perspective instantly shifts “inside” the book, or rather the story it’s telling becomes the new focus of my dream and I can visualize it just fine (sometimes I don’t even come back to the previous world, my dream is now about this new story). Same thing if i’m playing a game: for a second I see the frame of the monitor on the borders of my vision but quickly it disappears and all I see is the content of the screen. Sometimes it keeps looking like the game (like, Civ always looks like Civ) and others it becomes more flexible and cinematographic I guess, a new story that can go anywhere.

I use the suscription feed, when I’m no longer interested in a channel I unsub and move it to my bookmarks so that I can keep track of it if I want to check it or even sub again for some reason. This way I have 2 feeds: a slow one (subscription feed) which I check daily and the home feed where the algorithm might recommend me something interesting if I want something else to watch. I might check that one many times a day or sometimes not check it for weeks or even months at a time.

I sometimes also unsub from channels I would like to keep being subbed too but they are just too spammy (e.g. Northernlion would just clutter my sub feed so I moved him to bookmarks and I still check him a couple of times a week).

As for the bell I don’t use it because I don’t like notifications for most things.