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If someone using Brave gives him money and that money goes in to a homophobic lobby it would be better for consumers to know that so they can actually consent to that. Consumers deserve to make informed decisions about who to or who not to support.
I’ve seen it above that level, again because of the USB port. Definitely not arena sized, but definitely large venue sized.
Yeah, there’s a Behringer desk that is ubiquitous…
You’re correct but in my experience everything I’ve used at a venue is analog, running almost entirely off of the mixing desk, without an external computer running Win/Mac/Linux. And half of these consoles I’ve used had a USB port which was used for, among other things, storing templates. This allowed for our front-of-house mix engineers and monitor mix engineers to cruise along because most of the work was done at home or in other venues. The software for writing those was Windows/Mac at the least, I don’t know if any used Linux and I’m not sure if they were “human-readable” text formats.
At that price point I’m not so motivated to work on something FOSS, I care more for working with the hand-to-mouth musicians than the large institutions.
What do you mean the “live production stuff” exactly?
Software for the production of music and audio, like Ardour but for more platforms which more typical people could use more easily, plus plug-ins for that ecosystem. It’s a major sticking point how corporate that field is for me.
You’ve taken “home screen as self expression” to a new level level 70 and I am here for it.
Maybe it wasn’t designed to be a purely technical review, then?